https://mingjunhan.com mingjunhan Mon, 05 Jan 2026 18:26:02 +0000 https://mingjunhan.com en https://mingjunhan.com/The-Play Mon, 05 Jan 2026 18:26:02 +0000 mingjunhan https://mingjunhan.com/The-Play <img width="5543" height="3695" width_o="5543" height_o="3695" data-src="https://freight.cargo.site/t/original/i/35cc42fec884fb22f64ca872184e10272d200c6ad594721d09ad5497b6fa1fba/DSC05481.jpg" data-mid="242589626" border="0" data-scale="100" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/35cc42fec884fb22f64ca872184e10272d200c6ad594721d09ad5497b6fa1fba/DSC05481.jpg" /> The Play&nbsp; Performance &nbsp;| &nbsp;Interaction &nbsp;| &nbsp;Motion Capture | &nbsp;3D Choreographic Agency and the Politics of Digital Legibility&nbsp; Mingjun Han&nbsp;Choreographer, PerformerJohn Luo&nbsp;Co-director, Creative Technologist, 3D Generalist Lois H&nbsp;Co-director, Project Manager Chienn Tai&nbsp;Music Composer, OrchestratorSofia Shen&nbsp;Prop Designer An interactive dance performance where a live dancer controls a digital avatar through real-time motion capture. The performer is wearing a protable webcam and streamign everything she sees into the game engine in real time. Audience members influence the avatar’s transformation using game controllers, shaping the story in real time. Blending live movement, projection, and audience participation, the piece explores how personal identity shifts under social influence. Rehearsal: Distributed Agency and the Controller-Body Loop <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/5e8b1c9be6f039dd71f31494091f33a096ccc1ce5d43cf3fd9cdc3ae5ab1316c/Han_Mingjun_The-Play1.png" data-mid="242589628" border="0" src="https://freight.cargo.site/w/1000/i/5e8b1c9be6f039dd71f31494091f33a096ccc1ce5d43cf3fd9cdc3ae5ab1316c/Han_Mingjun_The-Play1.png" /> <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/983f2b8fd1c6854ae909c91cc75e1f8c877483b50f15003988759954175fb91a/Han_Mingjun_The-Play2.png" data-mid="242589630" border="0" src="https://freight.cargo.site/w/1000/i/983f2b8fd1c6854ae909c91cc75e1f8c877483b50f15003988759954175fb91a/Han_Mingjun_The-Play2.png" /> <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/065a00ff0022e29956fb6b3d548f32822e68c06643fddb36e1c461724bcf0f44/Han_Mingjun_The-Play4.png" data-mid="242589631" border="0" src="https://freight.cargo.site/w/1000/i/065a00ff0022e29956fb6b3d548f32822e68c06643fddb36e1c461724bcf0f44/Han_Mingjun_The-Play4.png" /> <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/9b22629c804811ab6c1cc450888cba1aaa4d0f49e806fbfbd70f40f39725f0e9/Han_Mingjun_The-Play3.png" data-mid="242589634" border="0" src="https://freight.cargo.site/w/1000/i/9b22629c804811ab6c1cc450888cba1aaa4d0f49e806fbfbd70f40f39725f0e9/Han_Mingjun_The-Play3.png" /> In this rehearsal, my movement is tracked while collaborators operate game controllers offstage. Every input, whether a button press or a joystick tilt, triggers a shift in the virtual camera or the avatar’s behavior. I design specific choreographic tasks to make these shifts visible on both my physical body and its digital double. This setup lets me test how external technical inputs redistribute agency and control within the performance system, turning the body into a site of negotiation between human intent and hardware intervention. Performance: The Digital Double and the Politics of Recognition <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/3ae149926d04f4b45f64d0e0d547a6055433f27e078279187830e4a638c19529/Han_Mingjun_The-Play8.png" data-mid="242589627" border="0" src="https://freight.cargo.site/w/1000/i/3ae149926d04f4b45f64d0e0d547a6055433f27e078279187830e4a638c19529/Han_Mingjun_The-Play8.png" /> <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/0438e58b8b1db32c60bf60e1c91243312601d6214a94386950b1acb8632bf8b3/Han_Mingjun_The-Play7.png" data-mid="242589633" border="0" src="https://freight.cargo.site/w/1000/i/0438e58b8b1db32c60bf60e1c91243312601d6214a94386950b1acb8632bf8b3/Han_Mingjun_The-Play7.png" /> <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/7995cfd6b3df4ca764dc30b4b0050cdcda21721f2fdedb9301134f9ddf518b8b/Han_Mingjun_The-Play6.png" data-mid="242589632" border="0" src="https://freight.cargo.site/w/1000/i/7995cfd6b3df4ca764dc30b4b0050cdcda21721f2fdedb9301134f9ddf518b8b/Han_Mingjun_The-Play6.png" /> <img width="5543" height="3695" width_o="5543" height_o="3695" data-src="https://freight.cargo.site/t/original/i/35cc42fec884fb22f64ca872184e10272d200c6ad594721d09ad5497b6fa1fba/DSC05481.jpg" data-mid="242589626" border="0" src="https://freight.cargo.site/w/1000/i/35cc42fec884fb22f64ca872184e10272d200c6ad594721d09ad5497b6fa1fba/DSC05481.jpg" /> This performance still highlights the tight coupling between my facial expressions and the avatar’s gestures, routed through a facial camera rig and full body capture. By mapping my expressions onto a digital double in real time, I explore the tension between identification and distance. I ask: What does it mean for a minoritized performer to be mediated through these systems. The performance becomes a study in how digital recognition both enables visibility and imposes a layer of alienation. https://mingjunhan.com/Invisible-Cave Mon, 04 Dec 2023 15:37:36 +0000 mingjunhan https://mingjunhan.com/Invisible-Cave Mingjun Han ABOUT WORKS HOME Invisible CaveChoreography by Mingjun Han When addressing the topic of "home," Mrs. Wang told me, "People like us have no home; I don't belong to any place. There's nothing to rely on." Her words deeply moved me. As a participant in "The Chooser" interview, I delved into understanding how politics and culture impact individuals and communities. Over the past two years of ongoing interactions and conversations with Asian individuals from diverse backgrounds, I have learned about their personal experiences and stories. These insights have motivated me to examine themes of race and identity in this project. By engaging with them, I was able to visualize their intense sentiments and experiences. This project revealed the intricate challenges faced by Asian women in the realms of society, history, and politics. Additionally, it marked a pivotal moment in my personal growth and served as a turning point in developing a sense of community. The choreography explores the nuanced feelings of displacement, navigating the complex terrain of identity, and the visceral struggle of existing as an Asian woman in our contemporary society. Embodying the struggle against ingrained cultural norms, gender bias and historical marginalization. <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/a0701a2a52a4d2d6fb3f1eefcaad55b9a0fad673e234f9c7edc417aa5630a425/IMG_7036.JPG" data-mid="198871599" border="0" src="https://freight.cargo.site/w/1000/i/a0701a2a52a4d2d6fb3f1eefcaad55b9a0fad673e234f9c7edc417aa5630a425/IMG_7036.JPG" /> New York Chinese Cultural Center Presents HOME Project 2023 Placeless Place Visual/Set Design: Zi Ye, Mingxi Xu Video Editing: Hugo Wu Lighting Design: Mingjun Han https://mingjunhan.com/Inhabited-by-Reflections-2023 Thu, 30 Nov 2023 01:32:58 +0000 mingjunhan https://mingjunhan.com/Inhabited-by-Reflections-2023 Mingjun Han ABOUT WORKS HOME Inhabited by Reflections Choreography by Mingjun Han Performed by Mingjun Han, Equem Roël, Ruby Stigers,Ella BakerSmith,and Lola VotrubaLive Feed Videography by Frenchie Cavallo PhelpsMedia assistance provided by Frenchie Cavallo Phelps and Glenn Potter TakataLighting by Zixuan YangCostumes by Mingjun Han and Amy Page <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/96429c75c34f6ac502fe2eb85cda25439ff2c8c5b94f6b986a09173865bb81a6/SLC_MFA_AB_Baranova-0032.jpg" data-mid="198249737" border="0" src="https://freight.cargo.site/w/1000/i/96429c75c34f6ac502fe2eb85cda25439ff2c8c5b94f6b986a09173865bb81a6/SLC_MFA_AB_Baranova-0032.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/b50f502a5e026623c2d380cc0f19d17a0b2e95a74abfa3be37436b80989f70ce/SLC_MFA_AB_Baranova-9745.jpg" data-mid="198282255" border="0" src="https://freight.cargo.site/w/1000/i/b50f502a5e026623c2d380cc0f19d17a0b2e95a74abfa3be37436b80989f70ce/SLC_MFA_AB_Baranova-9745.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/6233b7132fa57f751d8198dfb89a44df398eeba1ac84d5ef3b22e86aa1a454fb/SLC_MFA_AB_Baranova-9603.jpg" data-mid="198282263" border="0" src="https://freight.cargo.site/w/1000/i/6233b7132fa57f751d8198dfb89a44df398eeba1ac84d5ef3b22e86aa1a454fb/SLC_MFA_AB_Baranova-9603.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/0a14cd9c4d4e88e28fb038de0a1c99504be3fa97dcba7d4f508bb6ca061ea6fb/SLC_MFA_AB_Baranova-9571.jpg" data-mid="198282264" border="0" src="https://freight.cargo.site/w/1000/i/0a14cd9c4d4e88e28fb038de0a1c99504be3fa97dcba7d4f508bb6ca061ea6fb/SLC_MFA_AB_Baranova-9571.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/532817fe8075591feae2ddd505da383ef7d17f2f694659918360abd099e4fd40/SLC_MFA_AB_Baranova-9651.jpg" data-mid="198282262" border="0" src="https://freight.cargo.site/w/1000/i/532817fe8075591feae2ddd505da383ef7d17f2f694659918360abd099e4fd40/SLC_MFA_AB_Baranova-9651.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/454748ffb594f592f6b3bd168e78765363f9c1b9028894abf768474c4bdaf1f9/SLC_MFA_AB_Baranova-9350.jpg" data-mid="198282738" border="0" src="https://freight.cargo.site/w/1000/i/454748ffb594f592f6b3bd168e78765363f9c1b9028894abf768474c4bdaf1f9/SLC_MFA_AB_Baranova-9350.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/fa16cba513ebd9295f4394223387a551d64cbc14d75646675475c5bf579c9588/SLC_MFA_AB_Baranova-9399.jpg" data-mid="198282739" border="0" src="https://freight.cargo.site/w/1000/i/fa16cba513ebd9295f4394223387a551d64cbc14d75646675475c5bf579c9588/SLC_MFA_AB_Baranova-9399.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/f782429557870dbd0070324fc0a7ad3020eccf7f01ee34cc080b99a64ee3508d/SLC_MFA_AB_Baranova-9629.jpg" data-mid="198282265" border="0" src="https://freight.cargo.site/w/1000/i/f782429557870dbd0070324fc0a7ad3020eccf7f01ee34cc080b99a64ee3508d/SLC_MFA_AB_Baranova-9629.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/bfbb5e6eb223f4e69b0981932b61836193dd8e9dea9599fbd67cbabd91e6b7e3/SLC_MFA_AB_Baranova-9089.jpg" data-mid="198282251" border="0" src="https://freight.cargo.site/w/1000/i/bfbb5e6eb223f4e69b0981932b61836193dd8e9dea9599fbd67cbabd91e6b7e3/SLC_MFA_AB_Baranova-9089.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/fa16cba513ebd9295f4394223387a551d64cbc14d75646675475c5bf579c9588/SLC_MFA_AB_Baranova-9399.jpg" data-mid="198282739" border="0" src="https://freight.cargo.site/w/1000/i/fa16cba513ebd9295f4394223387a551d64cbc14d75646675475c5bf579c9588/SLC_MFA_AB_Baranova-9399.jpg" /> <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/5ff2157fe902c386e113f3192928b70c042ffceab380a7c8dd08aa011e7f26c9/SLC_MFA_AB_Baranova-9380.jpg" data-mid="198282261" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/5ff2157fe902c386e113f3192928b70c042ffceab380a7c8dd08aa011e7f26c9/SLC_MFA_AB_Baranova-9380.jpg" /> In Inhabited by Reflections, I weave live performance with live-feed technology, bridging multiple spaces to forge connections across diverse dimensions of time and space. At its core, the work delves into the profound question: How do we truly perceive and understand ourselves? Through this choreographic exploration, I seek to unravel the enigma of self-viewing from varied perspectives, inviting audiences to embark on a reflective journey through the landscapes of identity, perception, and self-discovery. https://mingjunhan.com/Inhabited-by-Reflections-2022 Mon, 04 Dec 2023 15:38:21 +0000 mingjunhan https://mingjunhan.com/Inhabited-by-Reflections-2022 Mingjun Han ABOUT WORKS HOME Inhabited by Reflections 2022 Choreography by Mingjun Han <img width="2198" height="1386" width_o="2198" height_o="1386" data-src="https://freight.cargo.site/t/original/i/49849e1b671283fd1e48f90e8cdd261914d2dcc13e89611a1af8ecbec4044dbc/Screen-Shot-2023-02-28-at-13.30.41.png" data-mid="198578880" border="0" src="https://freight.cargo.site/w/1000/i/49849e1b671283fd1e48f90e8cdd261914d2dcc13e89611a1af8ecbec4044dbc/Screen-Shot-2023-02-28-at-13.30.41.png" /> Performed by Equem Roël, Ruby Stigers, and Ella BakerSmithLive Feed Videography by Frenchie Cavallo PhelpsMedia assistance provided by Frenchie Cavallo Phelps and Glenn Potter TakataLighting by Alie MartinCostumes by Mingjun Han and Amy Page https://mingjunhan.com/A-Relative-Position Mon, 04 Dec 2023 15:39:39 +0000 mingjunhan https://mingjunhan.com/A-Relative-Position ABOUT WORKS HOME A Relative Position Perform by Mingjun Han <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/350bce7bc1b048c314c5038a3871666a74a9fd491650af56b55640a0392d450d/DSC_0909.JPG" data-mid="198579507" border="0" src="https://freight.cargo.site/w/1000/i/350bce7bc1b048c314c5038a3871666a74a9fd491650af56b55640a0392d450d/DSC_0909.JPG" />"A Relative Position" is an elegant and economical performance in which they are positioned on a tall latter, slowly unraveling a clay fetus wrapped in twine. It is a hauntingly powerful work in response to threats to women's rights to their own bodies and reproductive health.-- Clifford Owens <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d1d410734226a66b9ff1512c5dc96492526244acfe957060f0c07deddb9dbbd1/DSC_0903.JPG" data-mid="198579509" border="0" src="https://freight.cargo.site/w/1000/i/d1d410734226a66b9ff1512c5dc96492526244acfe957060f0c07deddb9dbbd1/DSC_0903.JPG" /> Through this performance art work, I aim to explore and bring attention to the pressing issues surrounding women's reproductive rights. The process of drawing the clay fetus ever closer by cutting threads and tying knots symbolizes the complexity and challengesthat women go through in their struggle for control over their own bodies. "A Relative Position" aims to evoke intuitive and empathic responses, fostering a deeper understanding of the ongoing struggles and advocating for the protection and empowerment of women in matters concerning their reproductive choices. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a1bf6cc018c6a77fe4d3686d3c74ed4a5929ec61a198d80877a3ba21183a10f0/DSC_0915.JPG" data-mid="198579502" border="0" src="https://freight.cargo.site/w/1000/i/a1bf6cc018c6a77fe4d3686d3c74ed4a5929ec61a198d80877a3ba21183a10f0/DSC_0915.JPG" />The ladder a timeworn stairwell to ethereal realmsCreaks beneath the weight of secrets it overwhelmsA narrative unfolds penned by unseen handsAs life cascades downward through ephemeral strandWith a measured stroke she wields the blade of choiceA symphony in steel where silence finds its voiceThe rope recoils a cosmic thread redefinedBoundaries redrawn in the tapestry of the mind 03/27/2022 https://mingjunhan.com/Colorless-Breath-1 Mon, 04 Dec 2023 15:40:04 +0000 mingjunhan https://mingjunhan.com/Colorless-Breath-1 Aranya Theatre Festival 2020Colorless Breath Direcor: Mingjun Han ABOUT WORKS HOME Colorless Breath is a work I created in 2020. The issue of plastic waste in our oceans has been gaining increasing attention in recent years. The negative impact that plastic waste has on the living environment of marine life is profound and deeply concerning. As a dancer and choreographer, this issue has inspired me to create a dance work that explores the effects of plastic waste on marine life. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/004c1b2780f974fd5d32064bc7de7fa51d3da86f19b2a06699ea5cc781013969/IMG_2038-3.JPG" data-mid="201790189" border="0" src="https://freight.cargo.site/w/1000/i/004c1b2780f974fd5d32064bc7de7fa51d3da86f19b2a06699ea5cc781013969/IMG_2038-3.JPG" /> Plastic pollution can harm marine animals in several ways, including entanglement, ingestion, and disruption of habitats. Animals can become entangled in plastic debris, which can cause injuries, restrict movement, and lead to suffocation. Marine animals may mistake plastic debris for food, which can lead to ingestion and potentially fatal consequences. As plastic debris accumulates in the ocean, it can cause physical damage to habitats, and disrupt marine ecosystems. This can have a ripple effect throughout the food chain, as animals that rely on healthy marine habitats for survival may struggle to find food or become more vulnerable to predators. The gravity of this issue is what inspired me to create Colorless Breath which explores the impact of plastic waste on marine life. Through movement and site design, I aim to convey the devastating effects of plastic pollution on marine ecosystems and to raise awareness of the urgent need for action to address this issue. This piece I performed in three different spaces with the same material ( recycled plastic bags): a public space in a wetland park, a white square room, and a shooting venue.I felt the influence of different performance spaces on the creation of my works. When you are in different spaces, even if you use the same items, materials, or objects, you can accept different information and process them, make decisions, and involve a trade-off. In the wetland park, a small wooden platform on the lawn was our performance space. Every person who passed by the space became the audience. They could make a choice to watch, take photos, sit on the lawn, or just pass by. In that performance, performers need to recognize the information changed, improvise, and learn what to adjust. The white square room is six meters in length and six meters in width. It's a narrow space. I put approximately 700 hundred plastic balls in it. The performer moved with the balls in the space. The audience stood outside the space. When the performer moved, the balls also had their movement, they rolled and extended the performance space. In this performance, the performer was more deeply into their feelings. <img width="1656" height="1098" width_o="1656" height_o="1098" data-src="https://freight.cargo.site/t/original/i/d8efe8add4c5191d5fd4aba025eb75e0ce060bbc2e220202d8dd3fbc655f9c62/Screen-Shot-2023-05-04-at-15.57.21.png" data-mid="201790173" border="0" src="https://freight.cargo.site/w/1000/i/d8efe8add4c5191d5fd4aba025eb75e0ce060bbc2e220202d8dd3fbc655f9c62/Screen-Shot-2023-05-04-at-15.57.21.png" /> I also made a dance film for this work with collaborators. I worked in the shooting room because it was a huge, and all-black space, similar to a black box. Unlike the previous two performance spaces, I did not create a narrow space but took advantage of the high height of the shooting space to shoot the process of plastic balls falling and floating. For me, “Colorless Breath” was a good attempt to deal with uncertainties and dangerous situations. I'm still exploring it. <img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/92fcb876003be58f7a8a672ea2dd2988b8dbf2d82f082ffc6747ed811ea0156e/IMG_2867.jpg" data-mid="198872969" border="0" src="https://freight.cargo.site/w/1000/i/92fcb876003be58f7a8a672ea2dd2988b8dbf2d82f082ffc6747ed811ea0156e/IMG_2867.jpg" /> <img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/38b83ef3808793c2d438030a79b05299fc1b6a27e7d343072920df07b5280ac3/IMG_2864.jpg" data-mid="198872967" border="0" src="https://freight.cargo.site/w/1000/i/38b83ef3808793c2d438030a79b05299fc1b6a27e7d343072920df07b5280ac3/IMG_2864.jpg" /><img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/b261fd80cd0e77dd7e41edbe4ff209e4c60d8ced2a6bd0d8e4ac411e9dfaf95e/IMG_2868.jpg" data-mid="198872970" border="0" src="https://freight.cargo.site/w/1000/i/b261fd80cd0e77dd7e41edbe4ff209e4c60d8ced2a6bd0d8e4ac411e9dfaf95e/IMG_2868.jpg" /><img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/be2aee0c12bab1e11614e5a9cbf88fecae6218b85f7dd7840a86feb2a0004068/IMG_2871.jpg" data-mid="198872972" border="0" src="https://freight.cargo.site/w/1000/i/be2aee0c12bab1e11614e5a9cbf88fecae6218b85f7dd7840a86feb2a0004068/IMG_2871.jpg" /><img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/6a00f3a30b406dd5c2e15f2f61547b84863e34200423f02bf722f1b455b4df9c/IMG_2872.jpg" data-mid="198872973" border="0" src="https://freight.cargo.site/w/1000/i/6a00f3a30b406dd5c2e15f2f61547b84863e34200423f02bf722f1b455b4df9c/IMG_2872.jpg" /><img width="2076" height="1168" width_o="2076" height_o="1168" data-src="https://freight.cargo.site/t/original/i/9c29018ddf2f02a030af3e4a03979a1d1d95782fae8d01256f056250efe8d5d5/IMG_2866.jpg" data-mid="198872968" border="0" src="https://freight.cargo.site/w/1000/i/9c29018ddf2f02a030af3e4a03979a1d1d95782fae8d01256f056250efe8d5d5/IMG_2866.jpg" /> The following are questions I identified in the process:How to feel the same things in different spaces?How to deal with the new experience of your movement?How to influence your ideas?How do you have to take care of the different spaces?... ... https://mingjunhan.com/More-Works Fri, 01 Dec 2023 00:35:35 +0000 mingjunhan https://mingjunhan.com/More-Works Mingjun&nbsp; &nbsp; Han ABOUT HOME <img width="2100" height="1364" width_o="2100" height_o="1364" data-src="https://freight.cargo.site/t/original/i/0438e58b8b1db32c60bf60e1c91243312601d6214a94386950b1acb8632bf8b3/Han_Mingjun_The-Play7.png" data-mid="242601992" border="0" src="https://freight.cargo.site/w/1000/i/0438e58b8b1db32c60bf60e1c91243312601d6214a94386950b1acb8632bf8b3/Han_Mingjun_The-Play7.png" /> The PlayCHOREOGRAPHER, DANCER <img width="9504" height="6336" width_o="9504" height_o="6336" data-src="https://freight.cargo.site/t/original/i/dcc062c1ea89a0df7cbaf4d44bc96c2b488422a9001bc4b36de6e9556ef7ed5c/ZOL02006.JPG" data-mid="242602051" border="0" src="https://freight.cargo.site/w/1000/i/dcc062c1ea89a0df7cbaf4d44bc96c2b488422a9001bc4b36de6e9556ef7ed5c/ZOL02006.JPG" /> Red LineCHOREOGRAPHER, DANCER <img width="2400" height="1600" width_o="2400" height_o="1600" data-src="https://freight.cargo.site/t/original/i/4e6cfa217e31340503a74ed799c7aea766cf15b383e5018f8c82f4c65a4d3c4a/IMG_7011.JPG" data-mid="198371589" border="0" src="https://freight.cargo.site/w/1000/i/4e6cfa217e31340503a74ed799c7aea766cf15b383e5018f8c82f4c65a4d3c4a/IMG_7011.JPG" /> Invisible CaveCHOREOGRAPHER, COMPOSER, DANCER <img width="5476" height="3652" width_o="5476" height_o="3652" data-src="https://freight.cargo.site/t/original/i/27505c37fd1f97ed086884d6040f9de4c0a5dd1ff9a661fd757c38aec9fb7d9f/SLC_MFA_AB_Baranova-9380.jpg" data-mid="198371644" border="0" src="https://freight.cargo.site/w/1000/i/27505c37fd1f97ed086884d6040f9de4c0a5dd1ff9a661fd757c38aec9fb7d9f/SLC_MFA_AB_Baranova-9380.jpg" /> Inhabited by Reflections (2023)CHOREOGRAPHER, COMPOSER, DANCER <img width="2198" height="1386" width_o="2198" height_o="1386" data-src="https://freight.cargo.site/t/original/i/49849e1b671283fd1e48f90e8cdd261914d2dcc13e89611a1af8ecbec4044dbc/Screen-Shot-2023-02-28-at-13.30.41.png" data-mid="198371615" border="0" src="https://freight.cargo.site/w/1000/i/49849e1b671283fd1e48f90e8cdd261914d2dcc13e89611a1af8ecbec4044dbc/Screen-Shot-2023-02-28-at-13.30.41.png" /> Inhabited by Reflections (2022)CHOREOGRAPHER, COMPOSER <img width="5367" height="3429" width_o="5367" height_o="3429" data-src="https://freight.cargo.site/t/original/i/4cb622ac09e20eab4d8ce34639f81bafe0915961bdb2d2cd1db3ab36a8a58ffb/_MG_7099A.JPG" data-mid="198371684" border="0" src="https://freight.cargo.site/w/1000/i/4cb622ac09e20eab4d8ce34639f81bafe0915961bdb2d2cd1db3ab36a8a58ffb/_MG_7099A.JPG" /> Turning Ruins into RuinsCHOREOGRAPHER, COMPOSER <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/800419f1b2144d6f4b2a6708d043324f8c8342c29d0c771e053cab0287550344/DSC_0903.JPG" data-mid="198371592" border="0" src="https://freight.cargo.site/w/1000/i/800419f1b2144d6f4b2a6708d043324f8c8342c29d0c771e053cab0287550344/DSC_0903.JPG" /> A Relative PositionPERFORMER&nbsp; <img width="2320" height="1526" width_o="2320" height_o="1526" data-src="https://freight.cargo.site/t/original/i/03cfe9fdd8915f0335fcba58dc331e3c73dbc01b0204abfb9a3d7086ab7feee3/Screen-Shot-2023-02-28-at-14.30.57.png" data-mid="198371614" border="0" src="https://freight.cargo.site/w/1000/i/03cfe9fdd8915f0335fcba58dc331e3c73dbc01b0204abfb9a3d7086ab7feee3/Screen-Shot-2023-02-28-at-14.30.57.png" /> 1101CHOREOGRAPHER, DANCER <img width="1656" height="1098" width_o="1656" height_o="1098" data-src="https://freight.cargo.site/t/original/i/d8efe8add4c5191d5fd4aba025eb75e0ce060bbc2e220202d8dd3fbc655f9c62/Screen-Shot-2023-05-04-at-15.57.21.png" data-mid="198371626" border="0" src="https://freight.cargo.site/w/1000/i/d8efe8add4c5191d5fd4aba025eb75e0ce060bbc2e220202d8dd3fbc655f9c62/Screen-Shot-2023-05-04-at-15.57.21.png" /> Colorless Breath CHOREOGRAPHER, DANCER https://mingjunhan.com/Front-page Sat, 10 Sep 2022 18:58:48 +0000 mingjunhan https://mingjunhan.com/Front-page Inhabited by Reflections Direct by Mingjun Han About this Work  More Works  marking the edge of that sphere, filled only with echoes of reflections... https://mingjunhan.com/About-1 Wed, 29 Nov 2023 18:50:24 +0000 mingjunhan https://mingjunhan.com/About-1 Mingjun Han Mingjun Han is a scholar, choreographer, and performer based in New York, originally from China. She holds an MA in Performance Studies from New York University and an MFA in Dance from Sarah Lawrence College. As a performer, Mingjun has worked internationally with Allysen Hooks, Jace Weyant, Katherine Helen Fisher, Maguy Marin, Jianming Zhang, Sivan Rubinstein, Liran Donin, and Ming-shen Ku. Her choreographic work reflects on cultural conflict and identity through multi sensory performance. She has presented her work at La MaMa Galleria, Bronx Academy of Arts and Dance, Aranya Theatre Festival, UCCA, Song Art Gallery, Korean Dance Festival, and Contact Improvisation Festival. Content: Email&nbsp; Instgram<img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/2ce5c14fed0aff3e10689e17b9ebb38329198d27cad24ad77a044da61833604f/DSCF8103-2.JPG" data-mid="242602105" border="0" src="https://freight.cargo.site/w/1000/i/2ce5c14fed0aff3e10689e17b9ebb38329198d27cad24ad77a044da61833604f/DSCF8103-2.JPG" />